Tag Archives: Klark Kent

Klark Kent • Klark Kent [CD, LP]

KLARK KENT has come out of seclusion! With a new kollection of the Policeman’s solo recordings from back in the day, there is now ample evidence to support the opinion that Stewart Copeland was, indeed, the one with all the talent. Available as a 2LP vinyl or 2CD kompact disc release (downloads are also available), Klark Kent is the kleverly-titled kompilation that brings together all of the one man (band)’s recordings, including never-before-released demos (on the CD version).

Kent’s discography starts back in 1978 when his first two singles were released. An 8-song vinyl EP, Klark Kent, followed in 1980. The secret about Kent’s identity wasn’t exactly safe, as the press release included in the US promo, for instance, made barely-veiled konnections to Copeland. Intrepid Police fans knew. I knew (having that US promo version, with press release inside, helped). What is so kool about Kent’s tunes is that they’re snappy and fun. If you’re unfamiliar with Klark Kent (either the original 8-song or this new 18-song version), think of the songs attributed to Copeland on the first two Police albums (“Contact,” “On Any Other Day”). I played the hell out of this on my college radio show back in the early ’80s, especially “Don’t Care” and the teenage freedom epic, “Away from Home.” It may be due to the sheer exuberance of Kent’s tunes that I lost interest in The Police as they got bigger; the quirky fun evaporated as Sting took kontrol of the band (assuming he didn’t already have it). A couple of years after the EP’s release, nascent music video channel MTV aired the IRS Records-subsidised The Cutting Edge, which featured IRS and other record labels’ new wave artists and used “Theme for Kinetic Ritual” as its theme.

Klark Kent released numerous singles in the UK, nearly all of which included tracks not on the original 10″. (“Don’t Care” made the Top 50 in England and included 2 non-EP tracks, for instance.) This new Klark Kent (kinda konfusing; kouldn’t they kome up with something more katchy?) has all of the early B-sides and tracks released on the 1995 Kollected Works CD, and you get the never before released, bombastic “It’s Gonna Rain,” the similarly over the top “Someone Else,” and Kent’s lone Khristmas tune, “Yo Ho Ho,” which had originally appeared on IRS Records’ Just in Time for Christmas (among other compilations). In all there are 18 tracks on the 2LP and first disc of the CD set and they’re all alotta fun. Disc 2 of the CD set features a dozen of Klark’s demo versions and they’re all pretty interesting, too, some being quite different from their final, official versions. The vinyl release, though, is a beautiful pressing on thick wax and has a great gatefold cover, too. You’ll probably need your readers to check the kredits, though, so be ready for that. (You youngsters, just skip past that last comment. Oh wait – you’re already past it now. My bad.) Since Kent played all the instruments, though, you may not need the kredits to enhance your enjoyment when listening to his amazingly cheerful discography.

So there you have it. Klark Kent is back and the best thing to do about it is to welcome him into your home. Krank him up! – Marsh Gooch

4/5 (BMG 538907281, 2023)

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Various • I.R.S. Greatest Hits Vols. 2 & 3 [2LP]

[This review was originally published 4/14/2010 on my old blog, Skratchdisc]

A few weeks ago I reviewed Urgh! A Music War and noted that my favorite compilation of all time is I.R.S. Greatest Hits Vols. 2 & 3. And so, dear friends, I must at long last give you a short review of said favorite so you can better understand my psychosis.

This 2LP variety pack came out in 1981, the year of my graduation from high school. At that time I still hadn’t discovered “new wave” or “punk” or “post punk” or “whatever handy genre name is making the rounds this week.” Once I started doing radio at my college station, KCMU, I came across our review item. It had a cool cover—all these broken up records—which appealed to my 18 year old sensibility (I only had one then). First song on the album is “Cold Cold Shoes” by The Fleshtones: a nice little organ-driven raver. Next song, “Ain’t That a Shame” by Brian James, whoever he was, and not the one Cheap Trick covered on At Budokan. Another great song, and it turned out this guy had been in The Damned, who open side two with “Wait for the Blackout.” Now here was manna from, ummm, well not heaven I guess, but manna nonetheless. I LOVE THIS SONG. Almost thirty years after I first heard this song, I still think of it as Numero Uno among The Damned’s many fine records. (And you probably know by now that they are my favorite band of all time, above The Beatles, above The Clash, above The Shaggs.) Where most compilation albums would falter, this one stays the course throughout four sides! “Straighten Out” was my first dose of The Stranglers and it had very interesting subject matter. “Urban Kids” by Chelsea—throbbing punk. “Uranium Rock” by The Cramps—nice lo-fi rockabilly, great song, a cover of the old Warren Smith tune. Humans’ “I Live in the City” had a great old saying on it (“If you’re gonna act like that/you better get on the stage”) and was a tough slice of life for a country girl in the city. Now let’s head over to sides three and four…

“Fallout” was the first single by The Police, and at the time, had not been released here in the States. Did you know they were actually PUNK ROCK once? Yup. Tom Robinson’s Sector 27 does “Can’t Keep Away,” Jools Holland (years before his MC stint on the BBC) does an old R&B tune in a rockabilly manner (“Mess Around”), plus The Fall, Oingo Boingo, Buzzcocks, Klark Kent (on leave from The Police) and more*, all submitting great tunes that at that time had only appeared here in the USA as expensive import singles (if that).

I discovered so many future favorite bands on this record! It’s too bad they can’t put this thing out on CD now (it all fits on one), since the rights to these tunes are probably spread out all over the globe and would prove to be a real pain in the John Keister to track down. If you want a good listen at what all those above-named genres were like in the early ’80s before MTV, hunt this down, and kill it. — Marsh Gooch
* Henry Badowski, Alternative TV, Squeeze, Skafish (awesome!), John Cale, Payola$, Patrick D. Martin, Wazmo Nariz, Fashion.
5/5 (IRS Records, 1981; out of print)
(Top image is the later US cover; bottom image is the original US cover.)

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