Last month Omnivore reissued ALEX CHILTON’s 1995 album, A Man Called Destruction. Aptly titled, Chilton himself described it as “a soulful effort by a fairly primitive mind.” The album is a musical stew of rock ’n’ roll, New Orleans R&B/jazz and more – recorded the way this kind of stuff used to be recorded: live in the studio, one or two takes, minimal overdubs.
Recorded at Ardent Studios in Memphis, Destruction’s twelve songs (and this reissue’s bonus tracks) have a wonderful feel because they’re not perfect. Those who only know Chilton via the Big Star records will be thrown for a loop by Destruction. The arrangements aren’t power pop at all – sorry, Radio City fans – this is what Alex sounded like when he led the band all by himself. The songs, too, are primarily Alex’s, though there’s a handful of cool covers, including Jimmy Reed’s “You Don’t Have to Go” and Chris Kenner’s “Sick and Tired.” The latter track is one Chilton had been doing in his solo shows (when not “reuniting” Big Star with half of Seattle band The Posies). Buoyed by his own soulfully raw guitar sound, the arrangements include a rough but ready horn section and some real primal organ (check out his “Don’t Stop” to hear what I mean).
Omnivore’s reissue adds seven bonus tracks to A Man Called Destruction, including some alternate takes, a couple of originals that didn’t make the final album, and a cover of Clarence “Frogman” Henry’s “(I Don’t Know Why) But I Do,” kind of a fitting sentiment about how some of us feel about Alex Chilton. Apparently, those who knew Alex Chilton say the two spheres of sound (power pop and primitive rock) were equally at home in the man’s psyche, a reflection of his own personality. Sometimes affable and agreeable, sometimes contrary and difficult, like it or not that was Chilton. We don’t know why we love him (at least we can’t exactly pinpoint it), but we do.
Available now on download, CD and 2LP vinyl (clear blue for the initial pressing) including all of the bonus tracks.
3/5 (Omnivore OV-227)