Tag Archives: Tom Petty & The Heartbreakers

Record Store Day 2021, Part 1 [Vinyl]

I picked up nearly two handfuls of vinyl for Record Store Day 2021 (first drop) and decided to “review” them, in a pair of parts, based on my initial impressions. It’s a fact that many of the items we pick up for RSD get played once and then filed away, likely to never be pulled from the shelf again. That’ll be great for resale one day – maybe – but it’s certainly not the way you wanna tie up your record money if you can help it. On the other hand, some gems only come to reveal their beauty further on down the road, so… I don’t know… Ah, let’s just get going.

TOM PETTY & THE HEARTBREAKERS – Angel Dream (Warner Records 093624882312) – Sort of a companion to last year’s Wildflowers extravaganza, Angel Dream is a “reimagining” of the songs Petty and crew did for the movie, She’s the One. I don’t know if anyone remembers the movie (I don’t) but the songs are memorable. In some ways they share a lot of the vibe of Wildflowers, kind of laid back, but there’s a lightheartedness with these tunes that doesn’t surface in the others, quite likely due to the fact that they were written to accompany a film. I wouldn’t hold this one up to Petty’s greatest albums (Wildflowers is one), but it’s got a charm to it that’s hard to deny. Together with Wildflowers and Finding Wallflowers (a 2LP set of Disc 4 of last year’s heaping helping of Tom’s hospitality), Angel Dream is one purchase you would listen to again.

ELTON JOHN – Regimental Sgt. Zippo (Rocket/UMe RSDRSZ2021) – This one’s really out of left field! Yeah, if you’re trying to guess by the album cover, you’re right: it’s a psychedelic EJ album that was never released. Recorded in early 1968 at DJM Studio in London (home of Elton’s record label in the UK), it’s Elton and Bernie Taupin in their salad days, taking a break from trying to find their own voice and instead working up some groovy, of-the-moment (but now fairly aged) psych-pop. Surprisingly, the arrangements are much more fleshed out than I was expecting, sounding very much like a serious attempt to write an album’s worth of tunes good enough to release. And they are/were! Why this wasn’t put out until now is a good question, and probably even Sir Elton doesn’t quite remember. But at this point in his career – and after most of these songs made their debut on last year’s Jewel Box set – it makes sense to put out a vinyl relic of what Elton & Bernie were spending their time on while still wearing creative short pants. The songs are certainly on the derivative side but they’re fun to listen to, making Sgt. Zippo a nice one to reach for when you’re in the mood for something different. And I like the play on Elton’s given name, too.

TOOTS & THE MAYTALS – Funky Kingston (Get On Down/Island GET54103-LP) – This is one of the greatest reggae albums of the ’70s, even if this particular configuration isn’t the same as its original Jamaican counterpart. Funky Kingston, as it has been since its first international release, is mostly that original issue, with a few tracks brought over from another album and “Pressure Drop” ported over from a ’69 single. Whether or not you consider this a proper album or a compilation, you can’t dispute that this may have been Toots’ peak as an artist. I would’ve liked them to do a 2LP set containing the original Funky, with the extra tracks they swapped in from In the Dark, and whatever else would’ve made sense. But, I guess for that there’s always my Very Best Of… CD, not to mention a host of other compilations still available.

FLAMIN’ GROOVIES – I’ll Have A… Bucket of Brains (Parlophone 0190295104139) – It may have gotten its name from an obscure Welsh beer, but this record’s got the Groovies’ best known song on it, “Shake Some Action,” a stone cold klassic that you should crank anytime you get a chance. This little 10″ mini LP, “The Original 1972 Rockfield Recordings for U.A.,” contains seven songs the San Francisco band did with nascent producer Dave Edmunds for the UK wing of United Artists. UA released a couple of the band’s rock ’n’ roll singles at the time but they were (at least in hindsight) doomed to fail, being released during Britain’s glam rock craze. Yet “Shake Some Action” eventually became a touchstone of power pop and more bands have been influenced by it than probably even know it. Here, Bucket of Brains provides the single version and the original recording at its slightly slower speed (in a 1995 mix) that reveals more of what makes it so damn good. Plus, there’s a killer version of “Tallahassee Lassie” (crushes Freddy Cannon’s original like a grape!) and their other klassic cruncher, “Slow Death.” This was only available as a UK CD (and under a couple of other names in other countries) mostly in the mid ’90s. As a 10″ it is the perfect vinyl artefact. If this doesn’t help you bust out at full speed, then I don’t know what you need… to make it alright! – Marsh Gooch

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The US Festival: 1982 The US Generation [DVD, BD]

The Woodstock of the ’80s? In a way. The US Festival was Steve Wozniak’s “brainchild,” in quotes because the Woz didn’t quite know what he was doing when he decided he wanted to put on a bigger-than-Woodstock festival to “unite us in song.” But somehow he put together a crew that was able to avoid most of the issues that plagued the iconic ’60s rock fest. The US Festival: 1982 The US Generation is a documentary film that tells the story of the ’80s event, which was attended by some 400,000 people over three days. The doc also features a few artists performing complete songs, including Tom Petty & The Heartbreakers (“Refugee”), The B-52’s (“Strobe Light”), The Police (“Can’t Stand Losing You”), The Cars (“Bye Bye Love”), Santana and Fleetwood Mac.

Benefiting from the participation of a number of the people who helped put the festival on, like Wozniak, Bill Graham and associates, and numerous members of bands who played at US, this documentary is a complete look at everything and everyone that made it a one of a kind event. Performers like Stewart Copeland of The Police, Mickey Hart of the Grateful Dead, Mick Fleetwood and Eddie Money are included in recent interviews, and many more of the musicians and event coordinators are featured in contemporary interviews shot during the festival.

Besides the music, technology was a big part of the event, too. Remember, in 1982 big overhead DiamondVision screens were still new to rock shows. A satellite linkup to bring the show to Russia was also a new thing, though Bill Graham – who helped get the bands onto the bill and stage manage it – thought it was “bullshit,” that the video put up on that big screen was originating not from the USSR but some studio somewhere in California. (I guess he didn’t believe man had walked on the moon, either.) Some of what they did for US has been incorporated into today’s Bonnaroos and Coachellas.

Regarding the complete band performances, The Cars and Tom Petty do solid versions of the songs already mentioned in this review. But, it’s kind of a bummer that Fleetwood Mac’s take on their own great “The Chain” includes flubs by bassist John McVie (during the iconic bass riff, no less). And it should be noted that Stevie Nicks seems to be streaming Yoko Ono during some of her vocals. To be fair, Fleetwood Mac probably performed in the middle of the night and who knows what drugs the band were on.

If you’re looking for the concerts themselves, you’ll have to go elsewhere. But if you’re interested in the nuts and bolts of how it got put together, The US Festival documentary is worth checking out. I’m not sure why it comes in a combo Blu-ray/DVD pack (maybe it’s cheaper to just produce one set instead of having two separate SKUs?), but that’s the way it comes and it appears to be reasonably priced, so give it a go. The handful of complete performances certainly adds a little frosting to the cake.

3/5 (MVD Visual ICONTVMUSIC 3, 2018)

 

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