Tag Archives: The Turtles

The Turtles • Original Album Reissues [2LP]

Manifesto Records, in conjunction with FloEdCo, have reissued THE TURTLES’ original albums from the ’60s and these are some real spiffy releases. All six of the band’s studio albums from 1965’s It Ain’t Me Babe up through Wooden Head (1970) are now available as 2LP sets that not only replicate the original artwork (although in gatefold form), but in the case of the first three albums give you both the mono and stereo mixes. (The final three albums feature the original stereo mix [they weren’t released in mono] on the first record and a second disc of bonus material.)

It Ain’t Me Babe and its 1966 followup, You Baby/Let Me Be, are quite similar to each other in terms of material and sound. From the the first, there’s obviously the single “It Ain’t Me Babe,” the Bob Dylan song that made for The Turtles’ first hit 45, as well as its followup, “Grim Reaper of Love,” an excellent song that at the time barely made the Top 100 (coming in at 81). From the band’s 1966 followup album were the singles that made up its title, “You Baby” (#20) and “Let Me Be” (#29), and the barely noticeable “Can I Get to Know You Better” (a sad #89). Another great pop tune – albeit with a morbid title – “Pall Bearing, Ball Bearing World” features on side two.Album three is where The Turtles really took off. Happy Together, though still similar to the previous pair of albums, was bolstered by two of their biggest singles. “Happy Together” really needs no introduction, it being a pure pop single that few people are strangers to even today. Penned by the team of Garry Bonner and Alan Gordon, who also wrote followup “She’d Rather Be With Me,” it’s got the quintessential Turtles tone that was somewhere between The Beach Boys, The Byrds and The Monkees. Twangy rhythm guitars? Yep. Tight harmonies? Yep. Bit of a sense of humor? Yep.

Next came The Turtles Present the Battle of the Bands, a 1968 concept album (for real) in which the band took on the personae of a host of different “bands” in conjunction with the various sounds on the vinyl. These bands all had different names, though they are all our beloved Turtles. Big hit “Elenore” is “by” Howie, Mark, Johny, Jim & Al, while “You Showed Me” (penned by Byrds Roger McGuinn and Gene Clark) is “by” Nature’s Children. There’s also Chief Kamanawanalea and his Royal Macadamia Nuts doing their theme song, “I’m Chief Kamanawanalea (We’re the Royal Macadamia Nuts)”, as well as a number of other winners like the instrumental “Buzz Saw” “by” The Fabulous Dawgs and the Harry Nilsson/Chip Douglas title tune as attributed to The U.S. Teens Featuring Raoul.1969’s Turtle Soup was a real good album with a real odd choice of producer: The Kinks’ Ray Davies. Not really known as a producer (or even as the lead singer/songwriter for his own band here in the States), Davies nonetheless helped The Turtles come out with an album made up of all their own tunes, including the minor hit single “You Don’t Have to Walk in the Rain.” The album was their last all-new studio album, as Wooden Head from 1970 was made up of various Turtles tracks that hadn’t appeared on any of their previous longplayers. That being said, there are some classics here, including the band’s take on “We’ll Meet Again” and some tracks penned by band members Howard Kaylan and Al Nichol.

All of these albums were reissued on CD a couple of years ago (with the same track listings), and in the UK as 1LP vinyl (as part of a Record Store Day box set and later separately). My favorites here are Happy Together and The Turtles Present the Battle of the Bands, but all of them have great songs and sound real nice. As for the mono/stereo pairings, I don’t find much of a difference between the different mixes (though they are, in fact, distinct from each other*). I guess picking up these 2LP sets will be down to how big of a Turtles lover you are and whether you’ve already got any of the recent reissues. At least you can get them separately and fill in the cracks of your Turtles shell as necessary.

* Up through the late Sixties most albums were released in both mono and stereo, and frequently these were distinct mixes. However, some mono albums later in the decade were really “fold down” stereo mixes – that is, the two channels of the stereo mix summed together into one channel.

3/5 (Manifesto MFO 48041, 48042, 48043, 48044, 48045, 48046, 2020)

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The Turtles • All the Singles [2CD]

If you know THE TURTLES only by the sublime “Happy Together” you’re missing out on a lot of late ’60s rock ’n’ roll fun. All the Singles is a 2CD compilation of the group’s original White Whale 45s and it’s a wide ranging collection of sounds ’n’ styles these guys, known for their killer harmonies, put out during their original half decade of success.

turtles_allthesingles_400pxThis compilation, released on the band’s own FloEdCo imprint (via Manifesto), is a mainly mono affair, in keeping with the “singles” vibe the title conjures. What comes through loud and clear — besides the pristine melodies and harmonies singers Mark Volman and Howard Kaylan (aka Flo & Eddie) vocalized – is the driving, sometimes envelope pushing arrangements courtesy of their own rhythm section (bassist Jim Pons and drummer John Barbata, mainly) and the host of different producers they used. Starting with June 1965’s “It Ain’t Me Babe” and encompassing “She’d Rather Be With Me,” “Elenore,” “You Showed Me” and more, the 48 songs here go a long way to demonstrating that these L.A. teenagers (who started out as a surf group called The Crossfires) were more than the sum of their surf ’n’ folk roots. In fact, soon after their first single the guys were determined to move on from folk to something more poppy, hence their latter, aforementioned A-sides. Their B-sides were frequently penned by the band themselves and some of them were quite good – though some were inevitably forgettable. I cite “Buzz Saw,” “Come Over” and “Surfer Dan” among the memorable ones.

Another thing they did was an ingenious exercise called The Turtles Present the Battle of the Bands, an album in which they took on various then-current pop genres as if they were actually different groups. They went so far as to name the bands for each track (though it was always The Turtles); on this comp you get Nature’s Children (“You Showed Me”), Howie, Mark, Johnie, Jim & Al (“Elenore”), The Fabulous Dawgs and The Cross Fires, but the concept begs further investigation for sure. Later on (early 1970) The Turtles put out a single under the name The Dedications, and both the doo woppy A-side “Teardrops” and the garage/Jan & Deanie flipside “Gas Money” are here.

As for production, the singles herturtles_band_350pxe were helmed by a host of producers including the legendary Bones Howe, Joe Wissert, Chip Douglas and even The Kinks’ Ray Davies (yeah, kool!), who oversaw 1969’s Turtle Soup and its attendant singles “House on the Hill,” “You Don’t Have to Walk in the Rain,” and the poignant, cheeky “Bachelor Mother.” Different producers didn’t really change the group’s sound much, though the Davies-produced cuts do have a slightly Kinky feel to them.

Have I mentioned “Can’t You Hear the Cows”? It’s a B-side (to the Nilsson-written “The Story of Rock and Roll”) and has my name written all over it. According to the copious liner notes it “might have had a deeper significance that is now lost to time.” Ahem: “Each and every day / Eatin’ all that hay / Moo baby, moo baby.” The Beach Boys never sounded this swell!

All the Singles represents yet another case – like me discovering The Blues Magoos – of me thinking, how the hell did I let The Turtles escape my complete immersion all of these years?! Sure, I knew the obvious singles. I knew that Flo & Eddie were later members of Frank Zappa’s amazing Mothers and sang on Fillmore East – June 1971 (“Mud sh-sh-shark!”) and even T. Rex’s “Bang a Gong (Get It On),” yet somehow all I had until now was a 14-track cheapie CD comp. Good God, Gooch! What took you so damned long?!

5/5 (FloEdCo/Manifesto)

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