Tag Archives: The Replacements

The Replacements • Pleased to Meet Me (Deluxe Edition) [3CD/1LP]

THE REPLACEMENTS’ Pleased to Meet Me isn’t celebrating an obvious anniversary. The 1987 release isn’t 30 or 40 – it’s 33 (and not even 33-1/3!) – so the release of this Deluxe Edition is a bit surprising. Housed in the now standard Warner Music/Rhino LP-sized “book” format (a la Ramones, The Doors, Love), the Minneapolis band’s (arguably) greatest album is now surrounded by a coupla CDs of demos, rough mixes, outtakes and alternate takes that tell a much more complete story about this record, (arguably) the first or second album that should’ve turned them into a major band. Whether that would’ve been a boon or a bitch for these rock ’n’ roll loudmouths isn’t that hard to figure out if you know The Replacements’ story and trajectory.

Without diving deep into all of that last bit – after all, if you’re reading this you probably know the basics of their back story – Pleased to Meet Me was a turning point for the band. The Replacements had already been touted as the college rock band of the moment and after 1983’s Let It Be they seemed destined to hit the big time. Their first major label release, Tim (1985) had some great material but somehow missed the mark and so a lot was riding on this one. What a great time for the band to have to fire their lead guitarist (bassist Tommy Stinson’s brother Bob), just as they were on the precipice of Rock Mountain, about to go into the studio with a solid satchel of songs that was sure to do the trick. Paul Westerberg, Tommy and Chris Mars got together with producer Jim Dickinson at Memphis’ famous Ardent Studios and – long story short (it’s all in the included book) – put together this amazing record.

At the time I remember seeing “digitally recorded” on the album cover and wondering if Pleased to Meet Me was the inevitable sell-out every band eventually makes when they sign a deal with the (major label) devil. And then I heard it! What a powerful record! It didn’t sound “clean” like digital was supposed to – it just sounded like a ballsy, blistering batch of Westerberg’s best stuff. Opening with “I.O.U.,” cruising into the brilliant “Alex Chilton,” careening into “I Don’t Know” and “Shooting Dirty Pool,” with breathers like “Nightclub Jitters” and “Skyway” along the way, Pleased to Meet Me was everything Tim should’ve been and even better than Let It Be. How could it be?! Well, it was, it is, and it forever shall be. Somehow Jim Dickinson and his assistants at Ardent got what they wanted out of the band, either by coaxing, cajoling or outright strong-arming – whatever. They got it.

Pleased to Meet Me was the last, great Replacements album so it’s natural that there’d be a version of it like this one. And yet, nowhere on this 12″ x 12″ package do they note “deluxe edition,” “33rd anniversary” or anything that announces why this, now. Regardless, what you get on this 3CD + LP set is a new master of the original album (on CD only), a slightly different tracklisting for the “rough mix” version – which appears on both one of the CDs and on the vinyl – and another disc of further versions. (The singles B-sides appear on the CD with the 2020 master of the original album.) Of the many, many mixes and demos, there are a few that are remarkable: “Awake Tonight” sounds like a Faces/Rod Stewart outtake, except with more of a Replacements swagger; “All He Wants to Do Is Fish” is drummer Mars’ lone songwriter/ lead singer credit and is quite good; and the bulk of the Blackberry Way (recording studio) demos. Though it’s clear that Westerberg had many of the songs basically ready to go once the band got all the way to Memphis, the lyrics changed considerably and multiple times between those first demos through to alternate takes and on to the rough mixes and final versions. There are plenty of demos here, too, that aren’t all that exciting, I have to admit. But in its entirety this Pleased to Meet Me, from the music to the illuminating (in words and pictures) book, is definitely a pleasure. – Marsh Gooch

4/5 (Rhino/Sire R2 643412, 2020)

And fer God’s sake don’t miss this video:

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The Replacements • For Sale: Live at Maxwell’s 1986 [CD, LP]

Many of us think back on the ’80s and feel it wasn’t a very good time for rock ’n’ roll. Well, we are clearly forgetting about THE REPLACEMENTS! Listen to For Sale: Live at Maxwell’s 1986 and you’ll recall that it wasn’t all bad – in fact, some of it was absolutely killer.

Captured professionally after their major label debut (1985’s Tim), this very live recording features the classic Replacements lineup (Paul Westerberg, Bob Stinson, Tommy Stinson and Chris Mars) on an “on” night in Hoboken, NJ. If you know anything about this band and their near mythological live shows, depending on the night, they either were the best band on earth or they sucked big time. Representing the former – oh, thank heaven –this 2CD or 2LP release is quite possibly the Live at Leeds of our generation.

The set list this February night leaned heavily on tunes from Tim and their indie classic Let It Be, such as “Hold My Life,” “Bastards of Young,” and Westerberg’s awesome “I Will Dare,” sounding much more muscular in its live rendition (no Peter Buck on banjo!). There’s also an assortment of earlier hardcore fare such as “Fuck School,” “God Damn Job,” and one of my toppermost ’Mats tunes, Hootenany’s “Take Me Down to the Hospital.” I don’t wanna… die before my time… already used… eight of my lives…

For Sale also contains a number of cover tunes done the way only The Replacements could do ’em: unpracticed, spur-of-the-moment, warts ’n’ all. Witness “Fox on the Run,” the Sweet hit, which goes for about a minute (just past the first chorus) before it ends in a shambles. Elsewhere, “Nowhere Man” and T. Rex’s “Baby Strange” actually make it to completion, naturally in the rough ’n’ ramshackle manner these guys typically delivered.

All this is to say, if you need your rock music all polished and rehearsed, you probably don’t wanna shell out for this 30-years-overdue live release. But, if you’re a true disciple of The Replacements – and if you’re not, there’s something wrong with you, man! – then you will find this album to be the quintessential, missing chapter of the book of the story of Minneapolis’s true rock ’n’ roll hall of famers. Hello Cleveland! indeed.

5/5 (Sire/Rhino R2 562078, 2017)

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The Replacements • EP [10″]

replacements_ep10inchOriginally released in 1987 as part of the campaign for The Replacements‘ second big league effort, Pleased to Meet Me, this EP is half teaser for the LP and half outtakes that didn’t make the album. This time, as a 10″ EP, it’s been released for Record Store Day 2015 just as the band (re-formed with two original members) go out on tour in the USA. “Alex Chilton” blasts out of the speakers like an ICBM, thanks to a detailed mastering job by someone who must appreciate the band’s ramshackle brilliance. The song’s about a guy you may have heard of who once led the power pop underdogs Big Star (and was the teenage lead singer of The Box Tops), and it’s one of the best tunes on the aforementioned LP. Up next is “Nightclub Jitters,” another album track that’s loaded with Paul Westerberg’s reality-based observations on dating and a nice standup bass line. (It actually stands out nicely on the vinyl, even when you consider the tracks were recorded in the infancy of digital.)

replacements-band_300pxOuttakes make up side two: “Election Day” is a slow blues with a powerful slide guitar lead that could have been on the album (which only had eleven songs) though it does feel slightly unfinished. Next the band covers “Route 66” in a throwaway piss-take complete with wrong lyics that’s pretty enjoyable but certainly not a vital part of the band’s legacy—it’s perfect for a B-side.

In all, a nice 4-song platter that makes a tasty appetizer for the record that was The Replacements’ greatest main course.

4/5 (Sire/Rhino, 2015)

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