Tag Archives: Flamin Groovies

Record Store Day 2021, Part 1 [Vinyl]

I picked up nearly two handfuls of vinyl for Record Store Day 2021 (first drop) and decided to “review” them, in a pair of parts, based on my initial impressions. It’s a fact that many of the items we pick up for RSD get played once and then filed away, likely to never be pulled from the shelf again. That’ll be great for resale one day – maybe – but it’s certainly not the way you wanna tie up your record money if you can help it. On the other hand, some gems only come to reveal their beauty further on down the road, so… I don’t know… Ah, let’s just get going.

TOM PETTY & THE HEARTBREAKERS – Angel Dream (Warner Records 093624882312) – Sort of a companion to last year’s Wildflowers extravaganza, Angel Dream is a “reimagining” of the songs Petty and crew did for the movie, She’s the One. I don’t know if anyone remembers the movie (I don’t) but the songs are memorable. In some ways they share a lot of the vibe of Wildflowers, kind of laid back, but there’s a lightheartedness with these tunes that doesn’t surface in the others, quite likely due to the fact that they were written to accompany a film. I wouldn’t hold this one up to Petty’s greatest albums (Wildflowers is one), but it’s got a charm to it that’s hard to deny. Together with Wildflowers and Finding Wallflowers (a 2LP set of Disc 4 of last year’s heaping helping of Tom’s hospitality), Angel Dream is one purchase you would listen to again.

ELTON JOHN – Regimental Sgt. Zippo (Rocket/UMe RSDRSZ2021) – This one’s really out of left field! Yeah, if you’re trying to guess by the album cover, you’re right: it’s a psychedelic EJ album that was never released. Recorded in early 1968 at DJM Studio in London (home of Elton’s record label in the UK), it’s Elton and Bernie Taupin in their salad days, taking a break from trying to find their own voice and instead working up some groovy, of-the-moment (but now fairly aged) psych-pop. Surprisingly, the arrangements are much more fleshed out than I was expecting, sounding very much like a serious attempt to write an album’s worth of tunes good enough to release. And they are/were! Why this wasn’t put out until now is a good question, and probably even Sir Elton doesn’t quite remember. But at this point in his career – and after most of these songs made their debut on last year’s Jewel Box set – it makes sense to put out a vinyl relic of what Elton & Bernie were spending their time on while still wearing creative short pants. The songs are certainly on the derivative side but they’re fun to listen to, making Sgt. Zippo a nice one to reach for when you’re in the mood for something different. And I like the play on Elton’s given name, too.

TOOTS & THE MAYTALS – Funky Kingston (Get On Down/Island GET54103-LP) – This is one of the greatest reggae albums of the ’70s, even if this particular configuration isn’t the same as its original Jamaican counterpart. Funky Kingston, as it has been since its first international release, is mostly that original issue, with a few tracks brought over from another album and “Pressure Drop” ported over from a ’69 single. Whether or not you consider this a proper album or a compilation, you can’t dispute that this may have been Toots’ peak as an artist. I would’ve liked them to do a 2LP set containing the original Funky, with the extra tracks they swapped in from In the Dark, and whatever else would’ve made sense. But, I guess for that there’s always my Very Best Of… CD, not to mention a host of other compilations still available.

FLAMIN’ GROOVIES – I’ll Have A… Bucket of Brains (Parlophone 0190295104139) – It may have gotten its name from an obscure Welsh beer, but this record’s got the Groovies’ best known song on it, “Shake Some Action,” a stone cold klassic that you should crank anytime you get a chance. This little 10″ mini LP, “The Original 1972 Rockfield Recordings for U.A.,” contains seven songs the San Francisco band did with nascent producer Dave Edmunds for the UK wing of United Artists. UA released a couple of the band’s rock ’n’ roll singles at the time but they were (at least in hindsight) doomed to fail, being released during Britain’s glam rock craze. Yet “Shake Some Action” eventually became a touchstone of power pop and more bands have been influenced by it than probably even know it. Here, Bucket of Brains provides the single version and the original recording at its slightly slower speed (in a 1995 mix) that reveals more of what makes it so damn good. Plus, there’s a killer version of “Tallahassee Lassie” (crushes Freddy Cannon’s original like a grape!) and their other klassic cruncher, “Slow Death.” This was only available as a UK CD (and under a couple of other names in other countries) mostly in the mid ’90s. As a 10″ it is the perfect vinyl artefact. If this doesn’t help you bust out at full speed, then I don’t know what you need… to make it alright! – Marsh Gooch

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Flamin’ Groovies • Now, Jumpin’ in the Night [CD]

See also: Flaming Groovies, Flamin Groovies. However you wanna spell or punctuate the name, the FLAMIN’ GROOVIES were an American band that wore their Anglophile leanings on their sleeves – or was it collarless Nehru jackets? Or was it the trousers?? Two albums from their classic late ’70s period were quietly released on CD earlier this year and after finally receiving copies of them I’m writing a few words on their behalf.

1978’s Now was their second with Sire Records and with Dave Edmunds producing. While it was still one helluva semi-power-pop album, it lacked a “Shake Some Action” or “Teenage Head” to buoy its greatness. In fact, except for “Yeah My Baby,” it is Now’s cover versions that make it a worthwhile Groovies disc. “Feel a Whole Lot Better” feels a lot like the Byrds’ version, as does “There’s a Place” to the Beatles’ original, while “Paint It Black” feels Groovier than the Stones’ hit. The album didn’t do much to propel the band’s career, though, so in ’79 they were back with Jumpin’ in the Night, which is practically a cookie-cutter copy of Now. Sadly, though the band’s Cyril Jordan produced (with Roger Bechirian), neither the band’s originals nor their choice in covers were as good as those on their previous outing. “Werewolves of London” is a great song but this version’s not very flamin’ or groovy. “Down Down Down” is a lot like the version Dave Edmunds recorded so it’s pretty good, as is their cover of “Please Please Me” (you know who did it), and “Absolutely Sweet Marie” is a shade peppier than Dylan’s but nowhere near as awesome as Jason and the Scorchers’ later take. I don’t find any of the band’s originals all that interesting this time around.

In all, both Now and Jumpin’ in the Night are fairly entertaining – neither, though, is as good as Shake Some Action. That 1976 album was not reissued with these two, for some reason, even though they all were originally issued by Sire. Peculiarly, Liberation Hall has issued these two without bonus tracks (not that there are that many, as far as this Flamin’ Groovies fan knows), but they did seem to do a nice job of mastering. (Attributed to Gary Hobish on the latter but not credited at all on the former.) The packaging is pretty bare bones, with very light liner notes and plenty of typos. I’d say Alec Palao’s text in the former is more informative than Steve Wynn’s in the latter, though those are more entertaining and curiously dated to January 2005! I get the feeling that – at least with the packaging – these two CDs were thrown together quickly. Here’s to hoping that the label creatives pay a little more attention to whatever they currently have in the hopper. – Marsh Gooch

2.5/5 (Liberation Hall LIB-5036, LIB-5037, 2020)

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