Roy Wood & Wizzard • Main Street [CD]

As far as eccentric British musicians go, there may be none as gone as ROY WOOD. You wanna talk about a guy with a vision? How about a guy with all kindsa visions? He was a founding member of the great Birmingham ’60s beat band, The Move, co-founder of Electric Light Orchestra with Jeff Lynne, and the prime mover of WIZZARD. That “group” – which sometimes seemed like Wood playing all the instruments himself – was responsible for a number of UK hits in the ’70s, though sadly only their “I Wish It Could Be Christmas Everyday” is the only single of theirs that ever came close to charting here in the States. By the time Wood got to recording what came to be known as Main Street, the man was (in his own words) “trying to grow up… [it was] probably a last minute attempt to retain some sort of sanity.” Well, I guess you could call it that – if you’re Roy Wood!

What we have here is a reissue of an album that went unreleased upon its completion in 1976. A lone single (“Indiana Rainbow”) was issued in the UK as “from the forthcoming album, Wizzo” that was unable to gain any chart attention and so the album went unissued until 1999. This time, Esoteric Recordings has added a bonus track and tweaked the artwork (though they didn’t improve on Edsel’s design from ’99). This is a weird album. It’s full of a lot of the dense power pop arrangements that Wood is known for, but then, on top of that, there’s all of this jazzy stuff thrown in. Sometimes it’s fusion courtesy of his lead guitar, sometimes it’s pseudo swing and even some faintly calypso-sounding instrumentation. It’s got subtle nods to even the gnarliest Move stuff (“Brontosaurus” and “Curly,” particularly), as well as other supremely rockin’ bits (like the bonus track, “Human Cannonball”) that’ll draw you in, and even some progressive rock for variety. I mean, if ever there was an album that benefited and/or suffered from including everything but the kitchen sink, this is it.

I honestly don’t know what to think of Main Street… Is it an album that’ll grow on me and become a regular part of my rotation? I don’t expect it to – it’s just too out there. But – and this is a big but – if you’re a Roy Wood fan and you missed this one the first time it came out, you will obviously be drawn to this, practically the (il)logical conclusion to where Roy was heading with Wizzard all along. After it’s all said and done, you may just utter (like I did more than once), “Well, that is a weird album.” – Marsh Gooch

2.5/5 (Esoteric Recordings ECLEC2730, 2020)

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