In 1995 THE BEATLES created or at least oversaw Anthology, a three part, six hour documentary that aired on television to edify the world on the band’s story. The three surviving members of the band were interviewed specifically for the project, except John Lennon, who had passed away in 1980. Sure, since the documentary was funded and curated by the band, there were probably some subjects that were cleansed or completely avoided in order to show the band in a better light, but over three nights you got a very good examination of their story without any obvious revisionism. When it came out on DVD, VHS and Laserdisc, there was an additional chapter included that didn’t make the final cut. That’s not to mention the three volumes of Anthology on CD and LP that came out, loaded with unreleased outtakes, live versions and more, and a coffee table book with tons of photos. It was a Beatles bonanza.
Fast forward twenty years to 2016 and RON HOWARD’s Eight Days a Week: The Touring Years. Here we get a 105 minute documentary that covers only three to four years of the band’s history and uncovers hardly anything new or revelatory. (There’s both a standard one disc version and a “Special Edition,” both on Blu-ray or DVD, with an extra disc of bonus material.) The fact that the project started out as a highly publicized idea to examine the band as a live act is interesting. Either Howard and his pals were unable to come up with a good story (hard to believe, given: The Beatles!), even enlisting the public to share their stories and/or audio or video, or for some other reason they changed horses midstream and scrubbed the original plot. Well, you may have guessed that I think they botched it up, big time.
In order to keep this short, I’m just going to bullet-point what I didn’t like here:
- The subtitle to this documentary shows that the filmmakers were hedging their bets after changing the concept for the film – they end up telling a very disjointed story with no clear mandate or viewpoint;
- Only the two remaining Beatles were able to contribute, and those contributions don’’t really add anything that existing interviews already covered;
- Consistency! Howard covers the subject from a very U.S.-centric standpoint, yet uses The Beatles’ U.K. album releases as timestamps throughout;
- Audio and video don’t sync up properly. At the beginning it seemed like the live footage was synced but the talking-head footage wasn’t; by the end it seemed like nothing was synced (not sure if this may in part be due to problems with Blu-ray vs. DVD, as I’ve encountered in the past);
- Colorization of some of the footage looked unnatural. The Beatles were the most photographed, filmed pop group of all time. People know what they’re supposed to look like! So if you’re going to colorize these guys, don’t make them look like Donald Trumps in nehru jackets.
I’ve already reviewed the “accompanying” reissue of The Beatles Live at the Hollywood Bowl and how that was riddled with problems, so it’s real disheartening to see that Imagine Entertainment, White Horse Pictures and Apple Corps itself let things get so out of hand. I seem to remember some words to live by uttered to me as a kid and over the years to the tune of if you’re gonna do something, do it right. That tune apparently wasn’t in Ron Howard and Company’s repertoire, and that’s too bad. They had a great opportunity to bring something unique to the story of The Beatles and they blew it.
At least you can still pick up a copy of Anthology on DVD to try and put this one out of its misery and out of your mind.
2/5 (UMe/Capitol, 2016)