Mobile Fidelity entered the world of audiophile vinyl back in the late ’70s with their “half speed mastered” pressings of popular rock, jazz and classical albums. These days they don’t mention the half speed bit, but they do note their “Gain 2 Ultra Analog System,” which is their current technology for bringing to us “the most accurate sonic reproductions possible.” Their recent issue of Elvis Costello & The Attractions‘ 1981 LP, Trust, is on the platter today.
Strangely, this album was issued out of sequence. MoFi started releasing EC’s albums in their current Original Master Recording™ format a few years ago in their original chronological order, starting with ’77’s My Aim Is True and running all the way up through ’84’s Goodbye Cruel World, but skipping Trust until now. I actually wrote the company about this when they went straight from Almost Blue to Imperial Bedroom – WTF? – and their answer was your typical non-committal reply. Regardless, it’s here now and I’m really enjoying it. By 1981 Costello had mastered his then strong suit of writing clever, biting lyrics and the Attractions had honed their ability to communicate his songs with power and sometimes restraint to a fine point. Trust, produced by Nick Lowe with Roger Bechirian, contains great songs that cover all of Costello’s categories: hard power pop like “From a Whisper to a Scream,” film noir like leadoff track “Clubland,” and solo piano courtesy of Steve Nieve on “Shot with His Own Gun.” As always up until that point, the rhythm section of non-brothers Pete Thomas (drums) and Bruce Thomas (bass) serves the songs so well it’s pretty amazing that the songs don’t get credited to the whole band. Oh, don’t get Elvis started on that! (I’m curious if he addresses any of this in his new autobiography, Unfaithful Music & Disappearing Ink.) I think, despite favoring Armed Forces for years as my favorite EC&A album, that Trust actually covers more ground.
This reissue, as noted above, is a Mobile Fidelity release and as you might expect should sound better than the original. Once again, I don’t have a first-issue US or UK vinyl version to compare it to, but it’s a sure bet that this MoFi release is miles better than the original 1981 Columbia (US) pressing. It’s definitely better than the early 2000s Rhino CD, with a wide soundscape that allows all the different elements to sparkle and stand out – occasionally a little too much, like with the cymbals and high-hats of “New Lace Sleeves” or “Lovers Walk,” though those toned down after repeated listening. Thomas’ drums explode on the songs where they should, as does Thomas’ bass, which represents some of his best playing ever. I hope you’ll, ummmm, trust me when I say this is a classic album and should be in your collection.
4/5 (Mobile Fidelity Sound Lab)